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Here are all the paintings of George Dawe 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 84908 |
 |
Charlotte of Prussia with children |
Date 1820s
cyf |
| 725 |
 |
General Alexei Yermolov |
1823
The Hermitage, St.Petersburg |
| 20974 |
 |
Madatov (san 05) |
INV No 8094 |
| 81309 |
 |
Portrait of Alexander von Benckendorff |
Portrait of Alexander von Benckendorff (xxxxxxxxx xxxxxxxxxxxxx xxxxxxxxxx, 1783-1844), a Russian Lieutenant General.
Date 1822(1822)
cjr |
| 81635 |
 |
Portrait of Cyprian Kreutz |
Portrait of Cyprian Kreutz (xxxxxxx xxxxxxxxx xxxxx, 1777-1850), a Russian General.
Date 1826(1826)
cjr |
| 90962 |
 |
Portrait of General Pyotr Bagration |
No later than 1825
Medium oil on canvas
Dimensions Height: 62.5 cm (24.6 in). Width: 70 cm (27.6 in).
cjr |
| 82151 |
 |
Portrait of Karl Bistrom |
a Russian General.
Date 1819-1824
cjr |
| 81856 |
 |
Portrait of Karl Wilhelm von Toll |
Portrait of Karl Wilhelm von Toll (xxxx xxxxxxxxx xxxx, 1777-1842), a Russian General.
Date 1819-1823
cjr |
| 82149 |
 |
Portrait of Konstantin von Benckendorff |
1785-1828), a Russian General and diplomat.
cjr |
| 82017 |
 |
Portrait of Magnus Freiherr von der Pahlen |
1822-1825
cjr |
| 81357 |
 |
Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen |
Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen 1775-1834), russian Cavalry General.
Date 1821-1825
cjr |
| 85393 |
 |
Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen |
Date 1821-1825
cyf |
| 81358 |
 |
Portrait of Peter Graf von der Pahlen russian Cavalry General. |
Date 1822-1825
cjr |
| 80724 |
 |
Portrait of the Empress Alexandra Feodorovna of Russia |
1820s
cjr |
| 726 |
 |
V.G.Madatov |
The Hermitage, St.Petersburg |
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| George Dawe
|
| 1781-1829
British
George Dawe Locations
English painter and writer. He was the son of the mezzotint engraver Philip Dawe who taught him engraving. He continued to concentrate on engraving when he entered the Royal Academy Schools, London, in 1796, producing portraits until 1802, when he turned to history painting. In 1803 he won a gold medal and the following year made his d?but at the Royal Academy, where he exhibited until 1818, often showing such anecdotal and literary works as Imogen Found in the Cave of Belarius (exh. RA 1809; London, Tate). He was elected an ARA in 1809 and an RA in 1814 and soon afterwards returned to portrait painting. In 1816 he painted a number of portraits of George IV daughter Princess Charlotte (e.g. London, N.P.G.), several of which were engraved. In 1817 he went to Brussels and was present at the review of the allied troops by Arthur Wellesley, 1st Duke of Wellington in Cambrai. Soon afterwards he was invited by Tsar Alexander I of Russia to paint the portraits of all the senior officers who had taken part in the Napoleonic Wars. He travelled to St Petersburg in 1819 where, over the next nine years, he painted nearly 400 portraits. These were placed in a specially built gallery (destr.) in the Winter Palace in St Petersburg. He returned briefly to England in 1828 before travelling to Berlin, where he painted the portraits of Ernest Augustus, Duke of Cumberland (1828; London, N.P.G.) and Frederick William III, King of Prussia (1828; untraced). From Berlin he moved to St Petersburg and then to Warsaw before being forced by illness to return to England, where he died shortly afterwards. His book The Life of George Morland with Remarks on his Works (1807) is both a lively account of his godfather dissipated lifestyle and a fairly critical appreciation of his work.
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